With “Belligerent Eyes” Fondazione Prada, restlessly searching for new grounds of confrontation on cinema and visual languages, experiments with new forms of collaboration, analysis and research. “Belligerent Eyes” was born out the Fondazione’s will to create a reciprocally stimulating exchange with younger generations working in the realms of cinema and visual arts research and production, enabling them to work in complete autonomy and freedom. This new relationship has marked independence as the core of such an artistic collaboration, offering the Fondazione the opportunity to re-invent the expressions of its cultural commitment.

This project extends the research Fondazione Prada has sustained in the realm of cinema for more than a decade. Between 2003 and 2006 important collaborations with international institutions such as the Tribeca Film Festival and the Venice Film Festival were developed. In 2004 the groundbreaking program of the Tribeca Film Festival travelled outside the USA for the first time and audiences in Milan were offered the opportunity to attend the screenings of selected films from the festival, along with talks and Q&As with directors and actors. In the following years, a vast film restoration project was initiated in collaboration with the Venice Biennale, with the aim to rediscover forgotten or overlooked cinematographic heritage. From 2004 to 2005, during three editions of the Venice Film Festival, the retrospectives “Italian Kings of the Bs: The Secret History of Italian Cinema”, “The Secret History of Asian Cinema” and “The Secret History of Russian Cinema”, all curated by Marco Müller, were presented in Venice and subsequently travelled to Milan, London, New York, Melbourne and Tokyo. In addition to this, in the past years Fondazione Prada has realized special commissions by artists such as Steve McQueen and Tobias Rehberger, who have employed cinematographic imagery and languages to conceive exhibitions and site-specific projects.

With the opening of its new Milan venue in May 2015, Fondazione Prada has strengthened its commitment to this artistic discipline. The new Cinema building has hosted “Roman Polanski: My Inspirations”, a documentary-interview in which the film director retraced his creative path, accompanied by a selection of his own films as well as masterpieces from the past, and “Flesh, Mind and Spirit”, a festival comprising 15 films chosen by director Alejandro González Iñárritu, in collaboration with Elvis Mitchell, film critic and Curator at LACMA in Los Angeles. Director Wes Anderson, on the other hand, conceived Bar Luce for the new Milan site, where he recreated the atmosphere of a typical Milanese cafè, reminiscent of Italian popular culture and aesthetics from the 1950s and 1960s and of the cinematographic iconography of masterpieces such as Miracolo a Milano (Miracle in Milan, 1951) by Vittorio De Sica and Rocco e i suoi fratelli (Rocco and His Brothers, 1960) by Luchino Visconti.

A project by:
Luigi Alberto Cippini
Giovanni Fantoni Modena

Disciplinary Spectrum Directors:
John Palmesino
Ann-So Rönnskog
Trevor Paglen
Cpt. (Retired) Mauricio Gris
Vittorio Gallese
Christian Marazzi

With the partecipation of:
Beatriz Colomina, Keller Easterling, Franco Farinelli, Stefano Francia di Celle, Adam Harvey, Stephanos Ioannou, Sylvère Lotringer, Sarat Maharaj, Stacy Martin, Mark Wigley

Architectural Project:
Luigi Alberto Cippini

Consultancy - Construction Management:
Silvia Bortolini
Romeo Scarpa
Carlo Capovilla

Construction - Systems:
Zero4Uno Ingegneria Srl
Tramonte Electro-Engineering
Gemini Luci Srl
Atlantis Film & Video Srl

Transport - Logistics:
A. Rubelli Arte

Fabrics - Textiles - Materials:
Tappezzeria Nalesso Srl
FIDIVI Tessitura Vergnano Spa
Docks & Dockers
Tramonte Electronics

Nava Milano Spa

Textile and Fabric Consultant:
Valentina Poletti

Director of Photography - Theatre Lighting Designer:
Amilcare Giuseppe Canali

Technology R&D:
Matte Chi

Graphic Design:
Federico Scudeler

Web Design - Digital Platforms:

Hi! Production
Executive Producers:
Max Brun & Lola Toscani
Anna Barberini & Vittoria Dami
Local Producer:
Maria Elena Fantoni

Research Editor - Press Office:
Marzia Marzorati

Visual Environment Assistant:
Pietro Caracciolo

Financial and Legal Support:
Studio Mazzoletti
Advisor: Pietro Mazzoletti

Jacopo Farina

Thanks to:
Enrica Fico Antonioni
Elvis Mitchell

Technical Partners:
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For any press enquiry please email to

To download:
Belligerent Eyes press kit - italian
Belligerent Eyes press kit - english

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Authorization to use of image

The public conferences in Ca’ Corner della Regina will be video recorded. Members of the audience might be included in the videos uploaded on
Please fill the form below.


Le conferenze pubbliche di Belligerent Eyes saranno video registrate. Membri del pubblico potrebbero essere inclusi nei video caricati su Si prega di compilare il modulo qui sotto.

The undersigned / Il sottoscritto
Born in / Nato a
On / Il
Domiciled at / Residente a

Consent and authorization to / Consente ed autorizza

BELLIGERENT EYES and/or FONDAZIONE PRADA to use the image (either still or in action) of the undersigned and of the undersigned’s accompanied minor


l’Associazione BELLIGERENT EYES e/o la FONDAZIONE PRADA ad utilizzare, riprodurre e diffondere la propria immagine e di quella eventualmente dei minori accompagnati


in any publication, picture, film, video or any other medium including internet. I hereby release, waive and discharge BELLIGERENT EYES and/or FONDAZIONE PRADA from any and all demands, claims, damages and liabilities directly or indirectly arising out of any use of the image pursuant to the foregoing rights grant.


senza pregiudizio al decoro ed alla reputazione, tramite la pubblicazione di fotografia e, video, film ed immagini acquisite nel corso del presente evento sotto qualsiasi formato, incluso via internet, senza limitazione né di spazio, né di tempo, né di repliche e senza riconoscimento di alcun corrispettivo.